Communications upon matters relating to musical criticism, performance, and literature are respectfully invited.
Performers, conductors, ensembles, recording artists, and their representatives are likewise invited to bring to the attention of the Editor performances which they may wish to submit for critical consideration. Such submissions may include publicly available or privately accessible audio and video recordings, filmed concerts, recitals, and other performances published or preserved in digital form.
Those contemplating a submission are encouraged to communicate with the editorial office in the first instance, providing particulars of the performance, the artists concerned, and, where applicable, a link to the relevant recording.
All material received will be considered at the discretion of the Editor. The submission of a performance does not constitute an undertaking to review it, nor does correspondence imply an obligation to publish.
All correspondence should be addressed to The Editor via email.